Janelle Lucyk

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Excerpts from live performance recording of the Vespers of 1610 by Claudio Monteverdi. Performed and recorded on April 17, 2016 by the University of King's College Chapel Choir, Halifax, Nova Scotia, Canada. Directed by Paul Halley. With soloists Hélène Brunet (soprano), Janelle Lucyk (soprano), Sarah Myatt, (mezzo-soprano), Charles Daniels (tenor), Philippe Gagné (tenor), Martin Auclair (bass); David Greenberg (concertmaster); instrumentalists from Canada, U.S.A., and the U.K., and the boy choristers of Capella Regalis Men & Boys Choir.
Full credits appear at the end of the video.

Can she excuse my wrongs? John Dowland
with tenor/lutenist Kerry Bursey, 2019

playing Susanna in the Marriage of Figaro, Durham Opera Ensemble, UK

with Aureas Voces, directed by Nick Veltmeyer
Rising stars in Early Music position Canadian folk song among the treasures of music history.
aureasvoces.ca

My Lagan Love
Brussels Chamber Choir dir. Helen Cassano
Arrangement by composer in residence Jan Moeyaert
Solo voice: Janelle Lucyk

Response Two
Peter-Anthony Togni, Jeff Reilly

Janelle Lucyk, soprano
Jeff Reilly, bass clarinet
Halifax, 2019

Read more about Responsio: www.petertogni.com/projects/responsio/

Che si puo fare? Barbara Strozzi

Janelle Lucyk soprano
Kerry Bursey lute
Lunenburg Sept 2019

Che si può fare?
Le stelle ribelle non hanno pietà;
se ‘l cielo non dà un influsso
di pace al mio penare,
che si può fare?

Che si può dire?
Dagl’astri disastri mi piovano ognor;
se perfido amor un respiro diniega
al mio martire,
che si può dire?

What can I do?
The stars have no pity and work against me;
If heaven will give me no gesture
Of peace for my pain,
What can I do?

What can I say?
The heavens are raining disasters on me;
If Love will not grant me a moment of breath,
to relieve all my suffering,
What can I say?

Sweeter than roses - Purcell
with tenor/lutenist Kerry Bursey

The End of All -
New Jazz release concert
music by Peter-Anthony Togni
lyrics by Rob Stevenson

at St. David's Presbyterian Church, Halifax in Oct 2018
Janelle Lucyk - voice
Jeff Reilly - bass-clarinet
Peter-Anthony Togni - piano
Jamie Gatti - double bass

Gloria Patri - Laudate Pueri Dominum - Handel

Janelle Lucyk, soprano
The King's Chorus, dir. Nick Halley
Ensemble Regale

Ensmble Caprice & Constantinople concert at Salle Bourgie, Montreal

Ensmble Caprice & Constantinople concert at Salle Bourgie, Montreal

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Bon Appetit, Buon Appetito, in concert with Per Sonatori, Regina's Baroque Period-Instrument Ensemble, Regina, SK

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On the eve of Valentine's Day, drama and delicacy are intertwined as soprano Janelle Lucyk and mezzo-soprano Sarah Myatt explore music of love. Baroque aria’s stemming from some of history's most celebrated romantic figures, Cesar and Cleopatra, Orpheus and Eurydice, with a hearty main course of Monteverdi duets. The pieces chosen fall under seconda prattica or stile moderno style, where music is governed by its text, and lavish musical ornamentation is enjoyed to better highlight poetry. As such, on February 13th, hear exquisite sets of poetry which underlay art songs by composers including Purcell, Dowland, and Handel, revealing raw human emotions: love, jealousy, desire.

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playing Susanna in the Marriage of Figaro, Durham Opera Ensemble, trailer

Music for Saint Cecilia with King's Chorus, dir. Nick Halley, Halifax

Music for Saint Cecilia with King's Chorus, dir. Nick Halley, Halifax

Music for Saint Cecilia with King's Chorus, dir. Nick Halley, Halifax

Bon Appetit, Buon Appetito, in concert with Per Sonatori, Regina's Baroque Period-Instrument Ensemble, Regina, SK

The Concert of 100 Candles, with Blackwood Duo

Splendour of Venice
dir Paul Halley

Splendour of Venice
dir Paul Halley

Splendour of Venice
dir Paul Halley

The Nine Maidens with tenor/lutenist Kerry Bursey
Delightful songs of heroines and heroes who cleverly escape danger and find the comfort of love. English traditional songs tell of age old expeditions, daring escapes and exotic delights, accompanied by lute, violin and guitar. Ayres by Dowland and Purcell recount the transience of good fortune in the life of seafaring voyageurs.

playing Susanna in the Marriage of Figaro, Durham Opera Ensemble, UK

in rehearsal for Marriage of Figaro with Crispin Lord (count) & Ambrose Li (assistant director)

with Aureas Voces, directed by Nick Veltmeyer
Rising stars in Early Music position Canadian folk song among the treasures of music history.
aureasvoces.ca

The Wounded Hussar

Alone on the banks of the dark rolling Danube,
Fair Adelaide roamed when the battle was o’er.
“Oh where then” she cried, “have you wandered my true love?
Or where do you wither and bleed on the shore?”
She travelled a while the tears her eyes flooding,
Through the dead and the dying she walked near and far,
Till she found by the river all bleeding and dying,
By the light of the moon her poor wounded hussar.

From his bosom that heaved, one last torrent was streaming,
And pale was his face deep marked by a scar,
And pale were those eyes once expressively beaming,
Eyes that had melted in love, kindled in war.
How sad was poor Adelaide’s heart at the sight,
And how bitter she wept for her victim of war.
“Have you come then” he cried, “this last sorrowful night for,
To cheer your lone heart of the wounded hussar?”

“You live then” she cried, “heaven’s mercy relieving,
Each anguishing wound shall forbid me to mourn.”
“Oh no my last fancy in my bosom is heaving,
No light of the morn shall to Henry return.”
“You charmer of life so tender and true,
Take my love to the babe that awaits me afar.”
Then his faltering tongue could scarce murmur adieu,
When he died in her arms, her poor wounded hussar...

Janelle Lucyk & Kerry Bursey
Sept 2019, Halifax

Purcell "Go Crystal Tears" Janelle Lucyk & Kerry Bursey

in rehearsal with the King's Chorus, Halifax

Wade in the Water
Brussels Chamber Choir dir. Helen Cassano
Janelle Lucyk, soprano
Mark Trigg, baritone
Biem Van Hoften, piano

Brussels Chamber Choir

During her time in Brussels, Janelle worked under Xavier Deprez, director of music at the magnificent Cathédrale de Saints-Michel-et-Gudule. She sang there regularly and formed Voces Desuper, an ensemble performing at services, and especially at the Te Deum ceremony for the King and Queen of Belgium.

During her time in Brussels, Janelle worked under Xavier Deprez, director of music at the magnificent Cathédrale de Saints-Michel-et-Gudule. She sang there regularly and formed Voces Desuper, an ensemble performing at services, and especially at the Te Deum ceremony for the King and Queen of Belgium.

with Prince Edward, Earl of Wessex, and Quinton Lucyk at Duke of Edinburgh awards ceremony

At Brussels Parliament in concert with the Royal Conservatory of Brussels Chamber Choir, dir. Charles Michiels

June Ball, Durham University, UK